Week 06, World Literature II

Pu Song-ling's “The Wise Neighbor”

Some of the stories that you will read in this class, as I have cautioned you before, require that you suspend disbelief. "The Wise Neighbor" is one of those stories. Here we see interaction between natural and supernatural, and everything seems quite regular. The "undercurrent of whimsy and humor" that the headnote to this story mentions, if nothing else, provides a welcome distraction from the realism in contemporary European literature. Friends, suspend disbelief: sure, fox spirits. Great! For more information about Pu Song-Ling, see http://www.chinaculture.org/gb/en_artqa/2003-09/24/content_41674.htm.

Saikaku's “What the Seasons Brought the Almanac Maker”

The headnote explains that through this genre, "stories of the floating world," Saikaku is able to provide his contemporary audience a retelling of well-known events, in this case the execution of an almanac maker's wife, Osan, and Moemon, a trusted assistant of Osan's father. The headnote makes clear that this kind of storytelling, dealing with well-known events and told in a colloquial voice, was popular in part because it was accessible to an audience: it's easier for people to be interested, invested, and engaged in reading something that is relevant to them. This genre's success points to the importance of relevance. Western audiences even today should be able to understand this story's central conflict: a tension between individual desires and social roles and expectations. Still, this fiction is useful because it presents a stark contrast to what was going on in Europe at the time. Europeans at this time were bent on science and reason, often looking outward; in the East, the focus was often on reflection and internal investigation - here that idea takes shape as an investigation of the role of the individual as part of a larger social picture.

For more information about the Tokugawa period, see http://www.openhistory.org/jhdp/intro/node20.html.